joni mili On Monday 22 July 2013

The Vocalist Live Pro is a rack processor based on the Vocalist Live 4 that includes a new MIDI interface that works with keyboards as well as guitars. Utilizing the patent-pending musIQ - technology combining new Note Detection algorithms with state-of-the-art Harmony Generation - and the raw power of AudioDNA2, the Vocalist Live Pro can create real-time harmonies with your live voice that are in key and perfectly on pitch. With all that processing power, we were able to pack it full of other features as well, including world-class Lexicon Reverbs, Soundcraft low-noise studio-grade mic preamp, real-time pitch correction for each voice, individual persona and gender selection per voice, configurable outputs, tuner, 99 user factory presets and more. Plus, it's available with a fully assignable optional foot switch and expression pedal so you get reall time control and kick in the harmonies at just the right moment.

The DigTech Vocalist Live Pro  can generate live multi-part vocal harmonies accompanied by your keyboard or guitar! Any number of the same note over two different chords have confounded traditional singing harmonizer. The Vocalist Live Pro is smarter than that

 DigiTech Vocalist Live Pro Features
1. 3 or 4 part vocal harmony using the musIQ technology with MIDI that analyzes the guitar and keyboard    signal according to chord recognition.
2. Selectable unison, 3rd, 5th or octave above or below of lead vocal. Pitch correction for each individual voice with 4 adjustable parameters
3. Lead vocal and harmony effects; Compressor, Lexicon-Licensed Reverbs and EQ, Persona models Edit, store and recall 99 user or 99 factory presets
4. On-board guitar tuner
5. XLR mic /line with level adjustment, Soundcraft studio grade preamp and 48V phantom power  
6. L/R Stereo 1/4-inch aux outputs, L/R XLR main outputs, S/PDIF out, ground lift, selectable output routings
7. MIDI in/thru
8. USB for preset Librarian and exchange
9. Footswitch and expression pedal jacks for remote control of presets and effects


Dynamic Range: 107dB A-weighted
THD+N: 0.002% (1KHz, Gain Max, 0dBu Input)
Frequency Response: -3dB at 25Hz and 22KHz

Analog Inputs 
Guitar:
Connectors: 1/4 inch Unbalanced TS Connectors
Maximum Input Level: 6 Vpp
Input Impedance:
Ground Connected: 2.2M Ohms
Ground Lifted: 4.4M Ohms

Mic Preamp:
Connectors: XLR Balanced (maximum input level)
Sensitivity for 0dBFS: -31.5dBu to +10dBu
Input Sensitivity for Analog Clip: -15.5dBu to +20dBu
Equivalent Input Noise (EIN): -126.5 dBu A-Weighted, Ref 150 Ohms
Input Impedance: 2.4KOhms Balanced
Mic Thru: XLR Male (Direct Connect to Mic In)

line
Input Sensitivity for 0dBFS: +4.5dBu to +21dBu
Input Impedance: 10K Ohms Balanced, 5K Ohms Unbalanced 
Analog/Digital Converter: 24-bits (20-20kHz, +/-1dB)
Dynamic Range: 114dB, A-weighted
Crosstalk: -90dB @ 1KHz


Analog Outputs

Main:
Connectors: XLR Female Balanced (MAIN)
Output Level for Digital Full Scale (+4dBu Nominal): +17.4 dBu
Output Impedance: 2.2K Ohms Balanced
Dynamic Range, SNR: 111dB, A-Weighted
THD+N: 0.002%
Crosstalk: -110dB @ 1KHz

Aux Line:
Output Level for Digital Full Scale (+4dBu Nominal): +17.4 dBu
Output Impedance: 2.2K Ohms Balanced
Dynamic Range, SNR: 111dB, A-Weighted
THD+N 0.002%
Crosstalk: -110dB @ 1KHz

Digital/Analog Converter:
D/A: 24-bits (20-20KHz, +/-1dB)
Dynamic Range: 114dB, A-Weighted, -60dB Full Scale Input
Crosstalk: -90dB






$539.95
 





Other

Sample Rate: 44.1KHz Internal Clock
Signal Processing: Freescale DSP56367 DSP with Custom Firmware

All Signal Processing Takes Place at 44.1KHz Sample Rates, Native
Digital Outputs:

MIDI port
Digital Inputs:
MIDI: IN, THRU Ports
Power: 120VAC, 60Hz
Power Consumption: 17 Watts
Dimensions: 19 x 7.5 x 1.75 inches (1U 19 inch Rackmount)
Weight: 6.5 lbs.
Environment: Operating Temp: 60-95 Degrees F (15-35 Degrees C)
Regulatory: 73/23/EEC, 89/336/EEC, 93/68/EEC, EN55013(2001+A1), EN55020(1998), RoHS, EN60065 7th Edition Requires that Products Be Tested at +/- 10% of Rated Mains Voltage; CAN/CSA 60065-03; UL60065-05; IEC60065 7th Ed. (2001)


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